It was 1965. Lyndon Johnson was in the White House, Sean Connery was number one at the box office, American soldiers headed to Viet Nam, and rock ânâ roll was everywhere.
Five young guys from Mason City, Iowa, did what a lot of guys did back then: They formed a band. Their leader was Pete Klindt, and the group was named âThe Pete Klint Quintet.â
Within a year they participated in a âBattle of the Bands,â held at the legendary Roof Garden Ballroom in Arnolds Park, and they won. As a result, the Quintet earned a recording contract with IGL Studios in Milford, Iowa. They subsequently released a 45RPM record, âVery Last Day.â The single received lots of airplay locally. âIt was nothing more than a local hit, butâŠwithout thatâŠwe wouldnât have gotten launched as far and as quickly,â Klindt recalls.
The Quintet was becoming known for their excellent musicianship and powerful vocals, and, with their penchant for doing Motown covers, it wasnât long before they were called a âblue-eyed soulâ band.
The bandâs manager, Mason City attorney Tom Jolas, connected the band with music industry powerhouse William Morris Agency, which in turn arranged to get the Quintet into the famed Chess Records Studios in Chicago. It was here that they recorded a Lou Rawls song in early 1967. The song was called Walkinâ Proud.
Walkinâ Proud became a top ten single in multiple markets throughout the country and was number one at KIOA in Des Moines for seventeen weeks. It also made the Billboard Hot 100 charts in October of 1967. âThe biggest problem with the record was distribution,â Klindt explains. âIt took over a yearâŠThe record would go number one everywhere that it hit, but it just crawled around the country because the distribution was so poor,â he adds with a chuckle.
The recordâs popularity gave the William Morris agency the opportunity to book The Pete Klint Quintet as the opening act for numerous nationally known groups, and they soon found themselves warming up for the likes of Steppenwolf, The Beach Boys, Stevie Wonder, and the Buckinghams. Perhaps the most notable of these occasions came in September of 1967 when the Quintet opened for Jim Morrison and The Doors at the KRNT Theater in Des Moines. âThat was a really big thrill for us back then,â Klindt says. âAnd what a beautiful theater that was. It was just so ideal for musical concerts. It was also so beautifully constructed.â
Klindt met his wife Susie at a gig at the Val Air Ballroom in 1969.
The groupâs follow-up single on Atlantic Records Hey Diddle Diddle didnât sell well, and the constant touring was getting to some of the guys in the band. Within a few years, The Pete Klint Quintet was no more.
Klindt continued to play in a couple of different groups until early in 1973. The music scene was changing, and the ballroom gigs were waning in popularity. âI decided to hang it up and retire–without pay,â he says with a laugh.
Dealing with the recent death of his mother, and thinking that his musical career had come to an end, Klindt described himself as âheartbroken and depressed.â He started reading the Bible.
That Easter Sunday he and his wife decided to attend church, making their selection by randomly putting a finger on a Yellow Page listing. It was a small Baptist church in Des Moines, and the two of them heard the gospel of Jesus Christ there. After the gospel invitation at the end of the service, the two of them went forward. âI donât know yet if this is real,â Klindt remembers thinking at the time. âAnd I want it to be.â
Soon after, he got a job working at Des Moines Music House, and the reality of Klindtâs new found faith in Christ became evident as he shared it with the many musicians he came in contact with there.
In the years that followed, he went into commercial construction and also began playing music again in church and other places where he could share songs heâd written about his faith, frequently singing duets with his wife, Susie.
In March of 1983, he took a position at Git N Go Convenience Stores, Inc., becoming their Director of Operations, a position he still holds today. He says his faith has been a great help in his business responsibilities. âGod has really helped me to eliminate the stress because I can give it to HimâŠI just push back in my chair a minute and bow my head and talk to God.â
Itâs clear that Evangelical Christianity has profoundly affected Klindtâs world-view. He has no use for political correctness: âEverything is upside down,â he says with evident passion.
Reflecting on his personal life he says, âIâm no better than the next person, but Christ has died for my sins: past, present, and futureâŠGod has guided me through all these years in every life issue.â
When asked if he still misses the âglory daysâ when he was so deeply involved in music, his answer is immediate: âOh, yes,â he says. âItâs still there. It doesnât die.â
Pete and Susie Klindt have now been married forty-seven years and raised three children together. They also have seven grandchildren. The Pete Klint Quintet was inducted into the Iowa RockânâRoll Music Association Hall of Fame in 1999.